Anton Kaes published “Illusions and Delusions: On Josef von Sternberg’s The Last Command” in Josef von Sternberg: 3 Classic Silents (New York: Criterion); “Zwischen Parodie und Phantasmagorie: Das ‘Paradies’ in Werner Herzog’s Fata Morgana”, in Claudia Benthien and Manuela Gerlof (eds.) Paradies: Topografien der Sehnsucht (Cologne: Böhlau Verlag, 2010); “The Return of the Undead: Weimar Cinema and the Great War,” in Kathleen Canning et al. (eds.) Weimar Publics/Weimar Subjects: Rethinking the Political Culture of Germany in the 1920s (New York: Berghahn, 2010).