Courses

Fall 2022

For all meeting days and times please see the Online Schedule of Classes.

Reading and Composition Courses
Readings and discussions in English. Fulfills the second half of the university’s Reading & Composition Requirement (equivalent to English 1B, Comp. Lit. 1B, etc.).

German R5A. Reading and Composition (4)

Section 1: Staff

TBA

Section 2: Staff

TBA

Section 3: Staff

TBA 

Section 4: Staff


German 39P (4) Freshman Seminar. Tang

“Law and Literature”. For many people, law is the subject of law school, while literature belongs to the humanities. In this seminar, we will see that law and literature, professional school and the humanities are in fact closely related. We will read some great authors in world literature (including Aeschylus, Sophocles, Shakespeare, Melville, Kleist, Kafka), watch a number of classic films, and discuss how they engage with the key issues of law – legitimacy and legality, justice and equity, rights and obligation, crime and punishment. At the same time, we will read legal texts and see how law operates by telling stories. This seminar may be used to satisfy the Arts and Literature or Philosophy and Values breadth requirement in Letters and Science.


German 112 (4) “Martin Luther, the Bible, and the Reformation”.  Largier
With his radical intervention, Martin Luther changed the understanding of the Bible, the way Christians read the Bible, and the way people understand the church and salvation. In this course, we will discuss some of the key writings of Luther, their historic significance, and their impact in early modern times and on the formation of modern cultures since the 16th century.


German 160A (4) Century of Extremes. Lehnhard

“POLITICS AND CULTURE IN 20TH-CENTURY GERMANY: A CENTURY OF EXTREMES”

 This lecture will explore Germany’s political and cultural history from 1914 to the reunification of the two German states in 1990. This period was marked by the rise and fall of the first German democracy during the Weimar Republic, the First and the Second World War, the rise of extreme ideologies, the Cold War, and the fall of the Iron Curtain. Against the background of these developments we will focus on continuities and ruptures in German society during the Weimar Republic, National Socialism, the two Republics after 1949 (FRG and GDR), and the (unified) Federal Republic of Germany. By comparing the various dimensions and characteristics of Germany’s radical transformations this course introduces students to major political, social, and cultural changes, emphasizing questions of gender, class, religious identities and milieus; the impact of total war; and the roots of dictatorship and democracy. Course materials will include primary sources in translation and state-of-the-art scholarship on German history, self narratives, as well as contemporary literature, popular images, music and films. Taught in English.


German 184 (4) “Documentary Cinema”– Gokturk

This course surveys the history, theory and practice of the genre called documentary cinema in a transnational horizon. We will explore what this amorphous and vague term means and examine the ways its forms and ethics have changed from the beginning of cinema to recent digital production and online exhibition. Major modes of documentary filmmaking will be covered, including cinema verité, direct cinema, investigative documentary, ethnographic and travel film, agit-prop and activist media, autobiography and the personal essay as well as recent post-modern forms that question relationships between fact and fiction such as docudrama, archival film, and “mockumentary.” Through formal analysis, we will examine the “reality effects” of these works, focusing on narrative structures, visual style, and audience address. We will ask: How do these films shape notions of truth, reality, and point of view? What are the ethics and politics of representation? Who speaks for whom when we watch a documentary? Who stages whom for whom and to what end? What do documentaries make visible or conceal? What, if anything, constitutes objectivity? And by the way, just what is a document anyway?  Note: This course has a film screening section please check with Instructor.